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BIOSHOCK: THE WRITER, PART III |
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The writer's apartment, 1957 In his typewriter was a half written page and beside it a half written book. His previous book - a story of a group of people who leave Earth behind and start a new life building their own colony on the moon - had sold well and his publisher wanted a follow up. He realized the story was obviously his fictionalized version of building Rapture, glorifying it. It had now been several months since its release and he was working hard on the new one. He was taking a few minutes to gaze out the window. A school of colorful fish swam back and forth outside and he wondered what they were up to. But it didn't really matter. His attention shifted to the water itself. Rapture always had the same weather, no matter when you looked out the window. He kind of missed that about the surface. The rain, the sun. And especially thunderstorms. And the stars... The autumn rain passed at nightfall and the sky became clear. It was mid October, the day the writer's father was buried. The whole day had been grey and dark but come night the clouds cleared and the sky opened. He put on his old jacket and his shoes and went for a walk. It was cold outside. Almost freezing. As he walked the pebbled ground crackled under his shoes. White steam rose from his nose at every breath. In his pocket was the letter of recruitment. A lady walked by him, but he hardly noticed her. His eyes were glazed and empty. It was a moonless night and the further he walked the darker it was, as he went further from the streetlights. Finally he reached the little park in the neighborhood. Sighing to himself he took the letter from his pocket and looked at it. He couldn't read it, of course, in the darkness. He sat down on the cold, hard ground and looked at the paper again, still not able to make the words out. But he knew them by now. Then he looked up. And saw the stars. The multitudes, the infinity. The galaxy, the nothingness and the beauty. Around him black shapes of trees towered to the deep blue Heavens, framing them. This amazing new enterprise will require emigration. What if he could migrate to the stars. What opportunity lay there waiting for him, in the multitudes, the infinity. What lay there, that wasn't already inside him. The color red streaked across his mind and he watched the stars. He grew colder and he watched the galaxy. He shut his eyes and decided to reach for the horizon... Obviously, these thoughts came from the writing of the new book. The lunar colonists, the few men and women, had grown tired of their precious paradise and longed for their loved ones and their home world. Quite dramatic and very different from the optimistic outlook from the first book. He had finished the first half and had the second half left. The return to Earth. In a sense he did long to go back, too. Not because Rapture was a bad place - there seemed to be an awful lot of splicers around lately, though - or because he missed the surface overmuch. No, it was simply a longing for familiarity. There were some people there that he missed. Though none of the ones he left behind had probably even given a thought to the fact that he was missing. He had meant for Rapture to be a new start, but... he was feeling more lonely as the days passed. Stars... As he stood and looked out the window, his eyes drew upward. To the surface. He couldn't see that far, of course. He couldn't see the stars from here. All he saw was the wavy shimmering of the blue green ocean as it danced and twirled along the surface scrapers. There were no sky scrapers in Rapture. Because there was no sky. The neon signs glimmered as far as the eye could see. All these businesses competing, without regulation. Could they all really take society such as this forward? His father would have thought so. The writer wasn't so sure though, what with all the plasmid businesses making products that were clearly unstable available to the public. And what about the poor people in Pauper's Drop? And all the working men who got fired just out of the blue? Someone had to be their voice. Atlas. Who was he? A pretender for the throne, or someone who genuinely believed in what he said. Though, the writer must agree, that some of what Atlas said was probably right. He let go of the thought with a sigh, and returned to work. As he sat down his thoughts turned to miss Julia Jensen. It was not too late yet to make this new life work. And suddenly he knew how to finish the book. And he wrote all night to make a happy ending for his lunar colonists, and dead set on making one for himself as well. There is no pain in the Garden of Eden. Unpublished column found among Mr. Perkins' belongings. Status: not publishable. Subject: Atlas & unions. Word count: 203 Regarding Atlas, who fights for the working man. I do agree that workers need work security, and I do agree (with Mr. Andrew Ryan) that a market free of, at least most, regulation is the way of the future. I do not believe it to be anybody's business how one company handles its finances. If a man is not willing to take a job at the offered wage, he is free to apply to other jobs, elsewhere. On the other hand, I too have worked the factory, before coming to Rapture. I worked full time, meaning I would not have had time for another job could I get one. And I did so at minimum wage, meaning that I would have been paid less, were the company not under union pressure. Thus I would not have survived were it not for the union. It is the same situation that many workers in Rapture face. I am not saying that unions are the answer, but surely there must be a middle ground. And until Andrew Ryan and the council finds that middle ground, the working men of Rapture will instead turn to the man who calls himself Atlas, thereby making the situation even worse. Ryan Amusements, 1957 The writer had come here to take his mind off some things. Mainly how he couldn't get up the nerve to talk to Julia Jensen. And also, it might make for something fun to write about in this week's column. He wanted some new ideas for those, especially now that his book was finished and finally released, a mere couple of days ago. In fact, he had some plans for the day. First, Ryan Amusements and then he'd go see Grace Holloway. He'd heard about James' disappearance. It unsettled him, and he wanted to make sure she was fine. But first, he'd go on Journey to the Surface. He'd heard some things about Journey to the Surface that could make Andrew Ryan explode with rage. Those living Ryan robots - living mannequins - were real creepers. He'd heard a lot of Ryan Amusements, knowing full well what to expect, but still not expecting any of it. As he approached the replica of Andrew Ryan's office with the somewhat stiff, waxen Ryan sitting behind its desk, standing behind a few kids who were there all alone. They were giggling and talking and snickering among themselves, but fell eerily silent when the puppet came alive. He got into a bathysphere a while after the kids had gone off and set off himself, along the journey to the surface to see what might befall him should he dare the audacity to grow gills and swim out of the city. The bathysphere lurched up and into the attraction. The first stop was at a farm hold, where an honest man was working his land until giant hands reached out from above, both scaring the bejesus out of the writer and reaching into the farmer's home, because, as Ryan explained: But Journey to the Surface was actually amusing. Especially the street names. Curfew Alley and War Road, though some truth to them, he still smiled. From the courthouse, another giant hand came stretching out, reaching for the bathysphere, making the writer jump in his seat and hope there were no cameras around, capturing that moment. The bathysphere moved onward, shoving Ryan's skewed views on the children, declaring at last, in the final display of his own office: As it turned out, Ryan Amusements was nothing but one man's glorification of himself. Though the writer had long ago learned to think for himself and decide for himself what he thought right, he realized many people would just accept Ryan's version of the story, when in fact no other versions were allowed. A marketplace of ideas, sure, but how come this Sofia Lamb had disappeared after those public debates a couple years ago? Maybe she felt defeated, or maybe Ryan just didn't want her to peddle her Bolshevik fever dreams to his people. Then again, a man should be entitled to the sweat of his own brow. The writer himself had worked many night shifts at the factory back home, busting his back for minimum wage and finding that a lot of the money he worked for went to taxation. But not all taxation was of evil, was it? Without it the educatory system might just turn out like Ryan Amusements, teaching propaganda as fact in exchange for profit. Then again, many fine schools and universities topside worked like businesses. But those were exclusively for wealthy people. Shouldn't the working man's children be able to have that same good education, paid for by the working man's own taxes? That sort of thing made the writers' head hurt. He didn't care for politics. All he knew was, it wasn't black or white. Mostly grey or some other color in between. Or all of them, shifting shape and form. The day and the excursion wasn't a total bust. He did chat with a few of the workers, most of them plasmid users by the look of it, but not as far gone as some others, and they were friendly. At least for now. Partly as training, as he wanted to learn how to talk to people, but also because it was easier to talk to people he wouldn't meet again. Strangers. He wanted to hear if they had any interesting wrinkles for the column. Turned out no one wanted to talk about the park - no one wanted to risk saying anything they shouldn't to the press and lose their job - but one young man named Devin LeMaster did have something else on his mind. He was a kind of funny looking, colored fella, sporting a pair of round glasses. He spoke in a bit of a nasal voice. Julia Jensen's parent's apartment, 1957 Julia's parents were of the sort that agreed with Andrew Ryan wholeheartedly. The only exception being that they were Christian. They even had a contraband bible hidden away, sold to them by means of smuggling. A weekly tradition for the Jensens was to have their only daughter for dinner, every Sunday, ever since she moved out after getting her job at the Rapture Tribune. Julia's mother was a bit disappointed that she decided against studying to become a doctor or an engineer, but she was proud, albeit silently. Besides, you needed journalists in a free society, to expose those who worked against the powers that be, to expose the parasites and stop them before their ideas could take root. Even ideas can be contraband. You needed journalists, and Julia was good at it. She'd taken some courses before, and then in the evenings even after she'd started working at the Tribune. But that was not the topic of discussion as they sat by the dinner table in Julia's parent's fancy Mercury Suites apartment. She had indeed worked her way to where she was, but when she came to Rapture with her husband and their daughter, and finally started making good money she'd become high strung, looking down on the poor. The poor, where she'd actually started out and thought she'd always remain. She'd been going to Dr. Steinman several times as of late, too, and his treatments were beginning to become a bit of an addiction. He admired her for that. Always would. But he did not like what she'd become since moving to Rapture. It wasn't just that she looked down on people who had it tough, it was all these plastic surgeries she'd being doing. Sure, sure, he was a fan of the increase in bosom size, but her face wasn't... the one he married. And next Sunday it'd be the same thing all over again. He felt more and more like taking that Sports Boost he had in the back of the freezer, but he had to wait until Barbara went to sleep. She didn't like him using that stuff. What's the worst that could happen, he figured. He only took the occasional tonic to improve himself. Sports Boost, that was his thing. He'd being going out with the guys a couple times lately, and sure enough, nine out of ten women prefers the athletic man. The tenth being his wife. He kept thinking, though, that maybe he should try one of those plasmids. They had all kinds of effects that made a man able to do anything. Maybe that Decoy thing could be something. Another him, to listen to Barbara's nagging, and the real him could eat in peace and take Sports Boost. No, he was being careful, it's not like he was addicted or anything. A man got to know his limits. Then expand them with Sports Boost. Unpublished column found among Mr. Perkins' belongings. Status: not publishable. Subject: Ryan Amusements & propaganda. Word count: 204 It has become clear to me that Andrew Ryan's establishments - and I speak first and foremost of Ryan Amusements - are part of one great propaganda machine. I found Ryan amusements, and especially Journey to the Surface, befitting of the name 'amusements', in a comical kind of way. But perhaps it is only I who have this twisted sense of humor. Still, Ryan Amusements is a park made for children, and it is of my opinion that no child should be subject to propaganda. He should instead be allowed to form his own opinions based on his own experiences and values. This is not possible when propaganda spewing establishments such as Ryan Amusements take the place of actual, unbiased education. Of course, my good friend and colleague, the handsome devil Stanley Poole wouldn't agree. He worships the very ground Andrew Ryan walks upon. Or is paid to. When I think of Ryan Amusements, I am reminded of the three things that the parasite hates; free markets, free will and free men. It is the second one, free will, that Ryan seeks to eradicate within your children, using Ryan Amusements as the tool. Indoctrinate them young. In Rapture, Ryan is the tyrant, the parasite. Grace Holloway's apartment, 1957 Grace Holloway, who came to Rapture on the same boat as the writer, lived in the fanciest apartment in the Sinclair Deluxe. Though, that didn't say much. The whole neighborhood of Pauper's Drop was run down, filled with Rapture's least fortunate. The writer sat across from Grace, sharing a cup of coffee that he brought himself. In her room, Eleanor - a girl of four or five years that Grace was looking after - played with an audio diary, speaking gibberish about barbarism and eating dogs into it. But he didn't get the chance to ask, because little Eleanor rose to her feet and came up to them from her room, stepping up to Grace, but avoiding to look at the writer. Somehow it seemed uncharacteristic of her, to be shy of him. He didn't know why. Looking into Eleanor's room, the writer saw a bit of a mess. Children's books - some seemingly directed at children a bit older than Eleanor was - and he saw a deck of those Zener cards with a bunch of symbols on one side; the telepathic test where one person is supposed to sense - or not sense - what symbol is on the side of a card that he can't see. The writer was open minded, but that stuff seemed like hogwash to him. But what caught his eye the most in the little alcove was a pink banner. Eleanor had designed it herself, it said 'ELEANOR'S ROOM', and was adorned with flowers and a sun. He didn't make the connection at first, but then he realized - Eleanor Lamb had no idea what sunshine felt like. The writer had to leave them there. A child shouldn't have to live in Pauper's Drop. But he also saw that Grace was happy. Maybe Eleanor really was born to change world. Maybe, just maybe, she was going to set the whole world aright. And he thought of the state of Pauper's Drop and started to write a column in his head. A column that wouldn't be publishable in Rapture. And those dock workers at the Fighting McDonagh's. They really didn't have anywhere to turn, except Atlas. Maybe he could go to the tavern again and try to listen in on some more talk. All this, it watered the seed within him. It was not alone in him. His was a soul in turmoil, hoping for ease. For something to bring calm, but his alone was fate. A fate for each and every man to shape. He had to make a choice, as Grace had put it. Siren Alley, 1957 She'd seen this ugly bastard before, but she couldn't place him. Not one of her regulars. He was a splicer, no doubt, but not too far gone - he still looked mostly human, and she'd had worse. One of those that could climb the wall, even. This guy... looked far more insane, but mostly human, nevertheless. Damnit. She knew she was too far gone, when being whored out to a spider splicer seemed normal. She'd begun sneaking money lately, too. Get herself enough to make something better of herself, then ditch Siren Alley and Daniel Wales. The spliced up fellow looked at Sandy with flickering eyes and his hands trembled. She saw that they were dirty as he stretched them out toward her. As they neared her breasts she slapped them away. Atlantic Express depot, 1968 He waded through knee deep water, emptiness reigning with the ocean raining. He'd somehow made it into a maintenance run off pump, and was looking for a way out. Mr. Bubbles recognized the voice, but he could not for the life of him put a face to miss Eleanor. There were just sparks of innocence and power. He played the recording again, still not being able to place the memory. As he began to walk away, the little sister stopped him: As they treaded the darkness of the run off pump, he got the distinct feeling that he was being watched. And not from the rotting surroundings or the salty smelling shadows; from within. Soon, his suspicions were confirmed. From inside his helmet he heard a voice. |